the ep starts with peace in the world, an infectious, assertive stomper that hooks you with a simple keyboard riff and vocal sample. the energy doesnt let up on runnin, though that cut is decidedly deeper and smoother. the flip finds montel turning it back up to 11 with ecstasy, a dramatic club anthem, and get down, a funky, elastic burner that closes the 12inch

part 2 of the compilation series inspired by pop art artist charles wilp. the album features 8 extremely wanted cosmic, psychedelic disco productions from the 1970s and 1980s. kristian schultzes zyklonentanz is a captain future styled disco tune from 1980, never commercially released before.limited gimmicks cover edition (4 printed sides round foldout cover, designed by chrisse kunst). expensive, but worth the money!

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster

lets pet puppies returns with a stunning release from marcus mixx. recorded in 1987, this cut screams classic chicago house! killer drums from vintage machines, soft melodies, and a bangin bassline. on the flip, the untitled cut churns out another sweet joint with a raw underground basement style.

the follow up to the coveted ghetto track from jody fingers finch brings two fantastic remixes from chicagos derrick carter. on the a-side, the bhq acid vocal mix finally sees its release and delivers a straight up jack track with the instrumental on the flip.

lets play house began the first half of 2013 with a single by label co-founder jacques renault, and now the guys are kicking off the second with three fresh remixes by international heavyweights tom trago, fantastic man (a.k.a. mic newman), and francis inferno orchestra.

lets play houses latest endeavor is a no-nonsense imprint, simply dubbed lph white, which, as the name implies, takes a cue from those mysterious, classic, unmarked dance records of years past.

back once again here is the most fabulous rampue!

lets go feat. high priest (antipop consortium) ist der ausnahmetrack des aktuellen rone-albums tohu bohu, und der erfährt nun die ganze remixpalette von clark (warp), superpoze (combien mille), rocketnumbernine (four tets partner auf text records), principles of geometry (tigersushi) und rone höchstpersönlich.

with tippy toes eponymous debut ep, lph not only puts out its first record by a previously-unreleased artist, but also delves into the world of pure, unadulterated out-of-the-box house music

marvin & guy return to the ever popular lets get lost with more heat!

lphs second release of the spring is also the nyc labels second split 12inch. but instead of featuring a couple of sun-soaked l.a.-based outfits as with cosmic kids and fingerpaints reality on the horizon ep, label heads nik mercer, jacques renault, and james friedman set out to sweden to grab three tracks by m.d.c. (otherwise known as muslim disco club) and name in lights, plus a remix by studio barnhus kornel kovacs.

one of the most original and popular artists of the current deephousescene, kolombo has gained a huge following reflected in countless gigsall over the planet. fusing elements of funk, house and hiphop, his off-debut is a trademarkproduction

italys legendary cosmic voyageur and disco innovator daniele baldelli makes his debut for lets get lost! 8 incredible tracks... more bang for your buck!

with reality on the horizon, lets play house continues to prove its not afraid to push the boundaries of house music while simultaneously broadening the spectrum of talent its roster embodies. the ep features four tracks by two los angeles-based outfits who have been around for a few years, primarily as taste-maker djs—cosmic kids and fingerpaint, a.k.a. tyler blake of classix

lets get lost return to the fold for their first release of 2013. this officially licensed release features the obscure italian / brazilian fusion of marimba do mar . this fantastic record is incredibly hard to find and a very expensive gem thats been re issued for your listening pleasure. japanese artists kza (endless flight) & cos/mes (esp institute) both turn in outstanding remixes.

as with their first various artist compilation ep, lets play house has chosen to grab tracks from a handful of artists both new and old to the label and party.

here we are with the last chapter of kruse & nuernbergs excellent debut album *lets call it a day*. released last fall on lazy days, the album was cherished by the press and topped the digital sales charts of various genres from deep house to nu disco and chill out. remixers so far came in from such great talents as spirit catcher, shur-i-kan and nathan g, this time it is up to mario basanov, wolf + lamb and fred everything.

lets play house begins 2013 much as it did the label itself, with a record by co-owner, brooklyn-based dj/producer jacques renault. unlike lph001, though, which featured a runaway original, lph013 was crafted by jacques on his own. and this is not a track to skip over or sleep on—its the mans first in three years!

editions mego is happy to announce a vinyl reissue of the long out-of-print and impossibly rare final harry pussy album, the monumental >lets build a pussy<. originally released in 1998 after the band broke up, this has always been an elusive release.

huge third release on bastardo electrico from ku.bo (aka james kumo and roberto bosco) thst has gained massive dj and press reactions as below, this is not to be missed!

lets play house finishes its first full year with its 12th release, which, like the first—runaways indoor pool ep—features one original track and three remixes. the a1 comes courtesy of river & phoenix, a new nom de disque of australias young edits. earlier in 2012, he released his debut ep—castle rock—on editainment, hence the playful moniker. this song, however, is not an edit.

with san laurentinos dreamers & wanders ep, lets play house brings forth a hauntingly beautiful record ideal for the winter ahead—this is music in which to take shelter from lengthening shadows, a warm place in a cold, cold world.

soiree are back with another slice synergy that only these devoted individuals could make. the soiree sound is a gumbo of flavours bonded together with a lets have fun production ethos. max essa and stevie kotey created the soiree project to write quirky yet funky songs which show their love of experimentation.

optimos jd twitch returns to lets get lost for another rather special outing.

two originals soaked in spooky, bone-chilling deep house vibes...

marvin & guy return to lets get lost with 2 superb reworkings. first up they visit arthur russell in a dusty acoustic space jam, while on the flip they enter more discofied proto house territory with bubbling acid tweeks, beckoning vocals and piano magic. closer to all your dreams.

deep, thumping after-hours burners, flush with prominent drums and groovy bass lines and sultry vocals

still in its infancy, swiss dj and producer rippertons personal imprint tamed musiq returns with its fourth offering in the form of, lets hope. maintaining the tradition of the labels previous releases, ripperton once again takes us on a journey of epic length, one that masterfully builds, swells and diminishes, as we make our way through a flurry of playful piano hooks, subtle synths and deep bass drops.the flipside comes courtesy of the hottest property in house right now, bicep, who continue turn on the charm with another deep and seductive, on-point dance floor bomb.

tokyos cos/mes step up to the plate for the latest edition from >lets get lost<

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >lets make mistakes< once again features the vocal talents of damon c. scott. storm queens debut of 2010, >look right through<, became an underground hit and was reissued as a remix package by defected records. 2011s >it goes on< nearly outstripped storm queens debut in popularity and was featured in countless radio and club dj sets and charts. >lets make mistakes< extends the storm queen continuum at 117 bpm, slowing down and emptying out to form a sinewy, building sound sculpture with a pop song nestled at its core. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. s t o r m q u e e n i s a l e a p o f f a i t h .

an uplifting, hopeful, and cheery as well as hard-edged, tight, fidgety, and frantic house release.

berlin based producer murphy on exploited... , with releases on clone, turbo and recently hypercolour, he has carried on the vibe of chicago and disco. on lets get to it he features one of the true cofounders of the real chicago vibe: mike dunn. on the remixtip serge santiago (who is recently in waze & odyssey) came up with a totally unexpected hot uk garage mix that already has been praised by skream. move your body to the sound. too good to miss this one! early support by a variety of djs: from joakim, to skream, to soulwax, to noir, to visionquest, robert owens, dirt crew and many more.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores—and exposes—another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newmans trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s >sizzled sally< for a more refined and subtle breed of deep house.

limited pic disc, big room dance bomb

lets get lost celebrate 15 release with a killer edit of letta mbulus glorius track nomalizo. a side sees eddie c at the console and on the b is kza is at the helm. originally a highly sought after japanese only release from the 80s.

londoner toby tobias has had a rather productive year so far and its with great pleasure that lets play house can claim him as its newest roster member. the paradise lost ep finds the man doing what hes done best since coming out in the early aughts: dropping deep and frothy house with a steely underbelly

finally a brand new hard techno release by one of the hardest in the scene,svetec!

expanding a transatlantic connection forged with releases from uk artists the m.e.b. and dead rose music company, the fourth release for lets play house comes from glasgowegian techno heroes naum gabo (jonnie wilkes of optimo and james savage) who inject a bit of motoric stomp to lphs generally housey identity.

hot on the heels of volume 12 and with a familiar let s get lost face at the helm, volume 13 welcomes jacques renault aboard once more and he s jumped genres yet again! after the relentless house edits of his last lgl voyage this release sees him return to the familiar waters of synthesizer prodded orchestral disco for the first two tracks and a saxophone and choir led afrobeat gem to round things off

the recent private releases did make a lot of italo and synth disco fanatics lovers happy. here is another one! a compilation of scarce and sought after tracks which previously have only been released on 7inch somewhere in the late 70s and early 80s.a cosmic journey into early techno and modern club music prototypes.the coverartwork makes this release especially interesting for collectors due to the fact it is an artprint of a high valuable artwork called space lucy by pop and space art legend charles wilp (the last reprint costed 3000 euro). this release was supported by the german aerospace agency dlr, no joke!recommended with a smile!

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle’s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, ‘thanqu’. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop’s critically aclaimed patten -r & s’s hyped new signings cloud boat -’my panda shall fly’s material is groundbreaking’

a gorgeous debut release for new york based singer beca, supported with remixes from ashley beedle and klic. inckludes code for free mp3 download of these tracks.

brooklyns lets play house keeps building momentum with its second release of 2012. this time, label heads jacques renault, nik mercer, and james friedman have teamed up with a pair of artists shrouded in mystery—the dead rose music company—to put out an ep featuring four original songs that confound definition...

the seasoned portuguese production duo that go by the name of johnwaynes are back for their third outing on lets get lost. a gospel disco banger on one side and blissed out whispering house on the other, essential!

brooklyns own lets play house returns with its first release of the new year: a couple of original house jams by chicken lips dean meredith—here teaming up with fellow londoners ben shenton and tim silver—and a couple of remixes, courtesy of the mysterious house maven chicago damn and production guru brennan green. as usual, the party-starters behind lph (jacques renault from runaway and on the prowl, editor nik mercer, and tobs james friedman) have assembled a four-track 12 inch fit to be played at their biweekly ragers as well as any other dancefloor hungry for something a little unexpected.

we are very happy to kick off 2012 with three killer house edits from our favorite new york producer/dj, jacques renault. all three tracks are expertly done and killer dj tools. this will be your timeless record.